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I sat alone in a hospital room in Dallas terrified and choking back sobs while worrying that the person with whom I had spent most of my adult life – my personal oasis – might not be there for me the next evening. My own perspective had been severely challenged weeks earlier. I’m sure that the patrons who, just the night before, had guzzled drinks, laughed at off-color jokes, and danced to pounding pop music at this place where they’d shared many nights of their young lives – a group oasis – did not consider it might not be there for them the next evening.
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It dawned on us only while we were picking up a chunk of masonry as a souvenir that our 24th anniversary was the next day.
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More than two weeks earlier, Doug had received a liver transplant, so this sudden intrusion of flaming reality was a seismic surprise after the exhausting monotony of hospital visits, medication scheduling, and sleep deprivation. My husband and I had just returned from a bloodwork appointment down the street. The previous few weeks had already been a dizzying nightmare. Oddly, my reaction was more subdued than I expected. And right there, at the top of my news feed, in a shared tweet from earlier that morning, was video footage of the Rainbow Lounge, Fort Worth’s legendary Near Southside gay nightspot and lightning rod for political controversy, engulfed in a blazing fireball while the shaky-handed bystander filming the inferno on his smartphone sputtered expletives of disbelief.Ī few hours later when I was standing outside the smoking wreckage of this once-famous (or infamous, depending on whom you asked) LGBT watering hole – the acrid smell of scorched wood burning my nostrils the constant drip, drip, drip off crumbling, water-drenched brick filling my ears – the reality of what had happened began to sink in.
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Lear had introduced one of the first gay couples on network television in the short-lived ABC series “Hot l Baltimore.My brain was stuck in a buffering loop at that hour, so I reached for my laptop and did what any logical human being would do when faced with unthinkably impossible news: I opened Facebook. In the episode “Once a Friend,” George Jefferson (Sherman Hemsley) learns that his old Army buddy Eddie is now a transgender woman named Edie (Veronica Redd). Sheen partnered with Sam Waterston on Netflix’s “Grace and Frankie.”)ġ977 - ‘THE JEFFERSONS’ Norman Lear, who had already shaken up the staid sitcom with shows like “All in The Family” and “Maude,” did so again on this CBS sitcom.
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The following are some of the most momentous.ġ972 - ‘THAT CERTAIN SUMMER’ A divorced father (Hal Holbrook) hides his lover (Martin Sheen) from his teenage son in Lamont Johnson’s movie for ABC, considered the first sympathetic depiction of gay people on television. people, or being able to help people understand who we are, especially in those times when so many people lived hidden and invisible,” said Sarah Kate Ellis, the president and chief executive of Glaad (formerly known as the Gay & Lesbian Alliance Against Defamation). “All of these moments are very important in one way or another, either in progressing our lives as L.G.B.T.Q. But that milestone, along with more accurate story lines and fewer stereotypes, has been a long time coming - a turbulent 45-year trajectory from television movies to single episodes involving secondary players to fully fleshed-out characters central to a show’s story line. Last year was a remarkable time when it came to the representation of gay, lesbian, bisexual, transgender or queer regular characters on television, according to the latest Glaad report monitoring diversity on the small screen.